Font phonetic alphabet free download

Font phonetic alphabet free download

font phonetic alphabet free download

IPA Font. IPA Font by SlyveR. in Dingbats > Various. 22,982 downloads (5 yesterday). Download. ipa_font.ttf. First seen on DaFont: before 2005. IPA Font. Several free, downloadable phonetic fonts is now available for this Unicode is the modern system for specifying symbols in documents. Free Serif, Free Mono and Free Sans are also free fonts that have a complete character set for IPA. · Dialekt Uni is another serif font that has a complete set of.

Font phonetic alphabet free download - good, support

Font phonetic alphabet free download - consider, that

Ahoi

Paul Rädle's great jump page for foreign fonts and phonetic fonts. [Google] [More]  ⦿

Akkphon

Akkphon (1999) is a free phonetic font found at the Hungarian Akadémiai Kiadó. [Google] [More]  ⦿

ALD Sprache

A bunch of truetype fonts with many accents, probably for some German dialect: ALDlight, ALD1Italic, ALD2Italic, ALD3Italic, ALD4Italic, ALD5Italic, ALD6Italic, ALD7Italic, ArialMT, Arial-Black. [Google] [More]  ⦿

Aleksas Girdenis

Lithuanian professor at the University of Vilnius who in 1997-1998, together with Petras Skirmantas, created the Lithuanian fonts Fontra1italic, Fontra2italic, Fontra3italic, Fontra4italic, Fontra5italic, Fontra6italic, Fontra7italic, Fontra8italic, Fontra9italic, IndoBalt-0-italic, IndoBalt-1-italic, IndoBalt-2-italic, IndoBalt-3-italic, IndoBalt-4-italic, IndoBalt-5-italic, IndoBalt-6-italic, Fontra0italic, Fontra0Normal, Fontra1Normal, Fontra2Normal, Fontra3Normal, Fontra4Normal, Fontra5Normal, Fontra6Normal, Fontra7Normal, Fontra8Normal, Fontra9Normal. These fonts were designed for (phonetic) transcriptions of Indo-Baltic languages. [Google] [More]  ⦿

Alexander Tarbeev
[TFaces]

[MyFonts] [More]  ⦿

Alphabetum
[Juan-José Marcos García]

Juan-José Marcos García (b. Salamanca, Spain, 1963) is a professor of classics at the University of Plasencia in Spain. He has developed one of the most complete Unicode fonts named ALPHABETUM Unicode for linguistics and classical languages (classical&medieval Latin, ancient Greek, Etruscan, Oscan, Umbrian, Faliscan, Messapic, Picene, Iberic, Celtiberic, Gothic, Runic, Modern Greek, Cyrillic, Devanagari-based languages, Old&Middle English, Hebrew, Sanskrit, IPA, Ogham, Ugaritic, Old Persian, Old Church Slavonic, Brahmi, Glagolitic, Ogham, ancient Greek Avestan, Kharoshti, Old Norse, Old Icelandic, Old Danish and Old Nordic in general, Bengali, Hindi, Marathi, Phoenician, Cypriot, Linear B with plans for Glagolitic). This font has over 5000 glyphs, and contains most characters that concern classicists (rare symbols, signs for metrics, epigraphical symbols, "Saxon" typeface for Old English, etcetera). A demo font can be downloaded [see also Lucius Hartmann's place]. His Greek font Grammata (2002) is now called Ellenike.

He also created a package offonts for Latin paleography (medieval handwriting on parchments): Capitalis Elegans, Capitalis Rustica, Capitalis Monumentalis, Antiqua Cursiva Romana, Nova Cursiva Romana (2014), Uncialis, Semiuncialis, Beneventana Minuscula, Visigothica Minuscula, Luxoviensis Minuscula, Insularis Minuscula, Insularis Majuscula, Carolingia Minuscula, Gothica Textura Quadrata, Gothica Textura Prescissa, Gothica Rotunda, Gothica Bastarda, Gothica Cursiva, Bastarda Anglicana (2014) and Humanistica Antiqua. PDF entitled Fonts For Latin Palaeography (2008-2014), in which Marcos gives an enjoyable historic overview.

Alphabetum is not Marcos's only excursion into type design. In 2011, he created two simulation fonts called Sefarad and AlAndalus which imitate Hebrew and Arabic calligraphy, respectively.

Cyrillic OCS (2012) is a pair of Latin fonts that emulate Old Church Slavonic (old Cyrillic).

In 2013, he created Cuneus, a cuneiform simulation typeface.

Paleographic fonts for Greek (2014) has ten fonts designed by Marcos: Angular Uncial, Biblical Uncial, Coptic Uncial, Papyrus Uncial, Round Uncial, Slavonic Uncial, Sloping Uncial, Minuscule IX, Minuscule XI and Minuscule XV. These fonts are representative of the main styles of Greek handwriting used during the Classical World and Middle Ages on papyrus and parchments. There is also a short manual of Greek Paleography (71 pages) which explains the development of Greek handwriting from the fourth century B.C. to the invention of printing with movable type in the middle of the fifteenth A.D. He wrote a text book entitled History of Greek Typography: From the Invention of Printing to the Digital Age (in Spanish). See also here and here. [Google] [More]  ⦿

Amtliche Regelung zur deutschen Rechtschreibung

Roman Schneider's page with a downloadable SIL-IPA font. [Google] [More]  ⦿

Ana Paula de Bragança Megda

Argentinian (Brazilian?) editorial designer. In 2012, she made an exceptionally graceful free Google Web Font text typeface that should withstand small sizes. Called Lusitana, the two-weight family was inspired by the type found in the 1572 first edition of "The Lusiads", a Portuguese epic poem by Luís Vaz de Camões.

Award winner at Tipos Latinos 2010 for her text and IPA typeface Voces (done with Pablo Ugerman). The latter typeface appeared in 2012 at Google Web Fonts. [Google] [More]  ⦿

Ari Rafaeli
[ARTypes]

[MyFonts] [More]  ⦿

ARTypes
[Ari Rafaeli]

ARTypes is based in Chicago, and is run by Ari Rafaeli. List of their typefaces categorized by revival type:

  • Hermann Eidenbenz: Graphique (1946) now called Graphique AR, a shadow face.
  • Jan van Krimpen (Enschedé) revivals: Romulus Kapitalen (1931), Romulus Open (1936), Curwen Initials (Van Krimpen did these in 1925 for The Curwen Press at Plaistow, London), and Open Kapitalen (1928).
  • Jacques-François Rosart: Rosart811, a decorative initial typeface that is a digital version of the 2-line great primer letters cut by J. F. Rosart for Izaak&Johannes Enschedé in 1759 (Enschedé no. 811).
  • Stephenson Blake revivals: Borders, Parisian Ronde.
  • Rudolf Koch (Klingspor) revivals: Holla, Koch-Antiqua-Kursiv Zierbuchstaben, Maximilian-Antiqua, Neuland 24pt.
  • Bernard Naudin (Deberny&Peignot) revival: Le Champlevé.
  • W. F. Kemper (Ludwig&Mayer) revival: Colonia.
MyFonts link.

View the typefaces made by Ari Rafaeli / ARTypes. [Google] [MyFonts] [More]  ⦿

Berg Soft

Daniel Berg's commercial product for phonetic transcription is "Just As Spoken" v2.0. For Winword-, Excel- and WordPerfect documents. Phonetic TrueType fonts included. [Google] [More]  ⦿

Berthold Crysmann
[Palatino TIPA]

[More]  ⦿

Brill
[John Hudson]

E.J.Brill is an academic publisher in Leiden, The Netherlands. In 1989, DecoType produced the first ever computer-typeset Persian and English dictionary for them. In 2009, Brill has resumed its 325 year old tradition of Arabo-Dutch typography by adapting Tasmeem for its Arabic texts. In 2008, Brill commissioned John Hudson to make a text face. Hudson's PDF explains how Brill had been working mostly with Baskerville, so the new Brill typeface is also transitional, but narrower, resulting in savings of paper. Greek and Cyrillic are covered by Brill as well.

In 2012, Brill was made available for free download for non-commercial use. While Brill is an original design by John Hudson, the blackletter range of characters was made by Karsten Lücke. Gerry Leonidas and Maxim Zhukov were consulted for Greek and Cyrillic, respectively. The fonts follow Unicode and contain nearly all symbols people in the humanities may ever need. [Google] [More]  ⦿

Bruce Hayes
[Phonetic Fonts]

[More]  ⦿

Carnegie-Mellon University

Four Cyrillic fonts, and the phonetic series SILDoulosIPA-Regular, SILManuscriptIPA-Regular, SILSophiaIPA-Regular. [Google] [More]  ⦿

Carrois Type Design
[Ralph du Carrois]

Carrois Type Design (Berlin, Germany) started up officially ca. 2010, although Ralph du Carrois has been designing typefaces since ca. 2002. This dynamic company in Germany has three art directors, Jenny du Carrois, Anja Meiners and Botjo Nikoltchev. All three also design typefaces, as well as Adam Twardoch, Andreas Eigendorf and Ralph du Carrois himself. The company specializes in custom type.

Typefaces (a *very* incomplete list, with apologies, but I can't tell from the web site who made what...):

  • Allzweck MvdR (2010-2011), a revival of a sans typeface influenced by Planzkissen by Mies van der Rohe. This was commissioned by Neue Nationalgalerie.
  • The corporate typeface Cisco Sans (2010), which is positioned midway between Helvetica and Akzidenz Grotesk.
  • Fira Sans (2013, for Firefox; with Erik Spiekermann). Google Web Font link. Mozilla download page. Google web Fonts published Fira Sans Condensed and Fira Sans Extra Condensed (2012-2016) in 2017. CTAN link.
  • Krikrikrak and Blumenkohl (2013, children's scripts).
  • PTL Manohara (2010, Primetype: a humanist sans by Botio Nikoltchev), Sadgirl(2006, Primetype), and PTL Maurea (2005, Primetype). Ralph du Carrois made many more fonts at Primetype prior to the establishment of Carrois Type design.
  • Free Google Web Fonts made in 2012: ABeeZee (Anja Meiners: a sans typeface created to help children), Carrois Gothic, Carrois Gothic SC, Finger Paint (brush face).
  • Icon fonts for a number of companies: Bosch (2011), Herzberger Bäckerei (2011), Hybride Iconwelt (2007), Ponce, Russian Rail, Sentres Wettericons, ZDF Nachrichten.
  • Several typefaces were created in cooperation with Erik Spiekermann's group between 2007 and 2012. These include work on Meta Serif Pro (2011), Meta Science (2012: done for De Gruyter, it is based on Meta and Meta serif), FF Meta (2008: some thin italic weights), TERN or Trans European Road Network (2007-2008), ZDF Nachrichten (2009, plus many icons), Lautschrift (2012: a phonetic script done for Erik Spiekermann to add to his Meta and Meta Serif families), and Unit Slab Pro (2009).
  • Inarea Sans (2003) and Inarea (2003-2005).
  • FR Classic (2002). This typeface was used in the redesign of the Frankfurter Rundschau. This didone is based on a reworking of LT Gianotten by Antonio Pace.
  • Two condensed sans typefaces done for the subway system in Rome in 2005. Some icons were also made in that project.
  • Share (2006). A free techno monospaced family made for the TYPO3 Association.
  • An angular grotesk done in 2008 for the Russian Railways. This work was carried out with Dmitri Lavrow, and invloved Andreas Eigendorf and Ralph du Carrois.
  • Suzuki (2006) is a corporate gothic font that replaces Franklin Gothic at Suzuki as house style.

About Ralph du Carrois, b. 1975: He graduated at the Staatliche Hochschule für Gestaltung Karlsruhe in 2004 with his first typeface family PTL Maurea. Since 2000 he has worked for different companies or agencies. In 2003 he founded the studio seite4 in Berlin with its main focus on type design and corporate identity design. [Google] [More]  ⦿

Cascadilla Press

Somerville, MA-based outfit that created Arboreal, a PostScript font for making syntax trees. It also released fonts for linguists. [Google] [More]  ⦿

Cercurius (was: Lars Törnqvist Typografi)
[Lars Törnqvist]

Born in Karlstad, Sweden, in 1952, Lars Törnqvist now lives in Stockholm. Lars Törnqvist's designed many typefaces, first at Lars Törnqvist Typografi, and then at Cercurius:

  • Dialekt Svi: a series of three phonetic fonts for Swedish dialects.
  • Dialekt Uni (2001): a huge Unicode phonetic font that includes the West European characters, the characters and diacritics of the Swedish dialect alphabet and most of the IPA characters.
  • Fitzronald (2013). Based on Ronaldson Old Style (Alexander Kay, 1884).
  • Hnias (2004): a unicode runic font.
  • Remington Reseskrivmaskin (2000): a typewriter font.
  • DecCode (2000) and HexCode (2000): numerical fonts.
  • Pitmanita, a font containing the characters of Sir James Pitman's Initial Teaching Alphabet. This alphabet was used in many English schools in the 1960s.
  • Morsealfabetet, a Morse-Code font.
  • Korsstygn 1, a cross-stitch font.
  • Tant Brita (2006), Tant Ingrid (2006), Tant Ulla (2006), Tant Gertrud (2006), Tant Lilian (2006): stitching typefaces.
  • Knappast (2006), Knappolog (2013), Endast (2006), Emedan (2006): letters in circles or rounded rectangles.
  • Karolinus Fraktur (2006): A slightly regularized digital version of a late Baroque Fraktur type, probably from the beginning of the 18th century, issued by the Norstedts type foundry in Stockholm in 56 point size as Sju petit fraktur nr 2.
  • Simpliciter Sans (2006), a rounded sans family in three styles, based on the standard round-pen ink lettering used on technical drawings in the middle of the 20th century.
  • Huruvida (2006). Varvid and Varvid Caps (2006, a bilined tubular caps stencil face).
  • Vibertus (2007): a didone headline typeface based on Gras Vibert (1840, Vibert, for the Didot type foundry).
  • Yxlofon (2015). a dot matrix display typeface.

And a jump list for Fraktur fonts. MyFonts link to his foundry, Lars Törnqvist Typografi.

View Lars Törnqvist's typefaces. [Google] [MyFonts] [More]  ⦿

Charis SIL

Charis SIL (1997-2006) is similar to Charter, one of the first fonts designed specifically for laser printers. It is highly readable and holds up well in less-than-ideal reproduction environments. It also has a full set of styles---regular, italic, bold, bold italic. Charis is a serif, proportionally-spaced font optimized for readability in long printed documents. Above all, it is a free four-weight Unicode-based font for all European and Slavic languages. Phonetic symbols are also covered. Contributors include Walt Agee, Miriam Martin, Annie Olsen, Victor Gaultney, Lorna Priest, Alan Ward, Bob Hallissy, Martin Hosken, Sharon Correll, Jon Coblentz, and Jonathan Kew. Typedia link. Charis SIL download. [Google] [More]  ⦿

Chin-chuan Cheng

Designer at the City University of Hong Kong of the phonetic font DOCIPA (1993) designed for the Dialects of China (DOC) database. [Google] [More]  ⦿

CHOMP font collection
[Elliot Weinstein]

CHampions Of the Mac Proletariat. Fonts created by Elliot Weinstein (freeware). Included are many East-European language fonts such as Bryansk, Cracow, and Sverdlovsk. There is also a phonetic font. Other fonts are Chefdijon (with cooking symbols), Fontana, Fraction Fonts, Newport News and Riverside. Can't find the fonts any longer.

Elliot Weinstein used to run Devonian International Software Company out of Montclair, CA. [Google] [More]  ⦿

Clark T. Riley

Clark T. Riley (Baltimore, MD) used to run Clark Riley Custom Font Design in the 1990s. His designs included Cairo (a famous free dingbat font), Orchids (a flower dingbat font), PhonBaskewrtown (a phonetic font), and the Recycle dingbats. At that time, his web site was located at the Johns Hopkins Medical Institute in Baltimore, MD. Clark Riley has been growing orchids since 1957 and is a popular speaker on orchids. After a PhD in chemistry from the University of Chicago, he became a Senior Field Engineer for Chesapeake Systems in Baltimore.

He gives the timeline for Cairo: In 1984 the Macintosh was introduced, which included a bitmap dingbat font by Susan Kare called Cairo. In 1992, Clark Riley created an outline (Type 1 Postscript) font based on it. In 1994, this was converted to TrueType technology, with Riley's approval. Cairo Unicode is the same design, updated to use Unicode technology. Download Cairo Unicode (2014) at Open Font Library. [Google] [More]  ⦿

Coji Morishita
[M+ Fonts]

[More]  ⦿

Computer Aided Learning programs for Actuarial Maths&Statistics

The r16fzip file has these fonts: From Monotype, BookAntiqua, BritannicBold, CenturySchoolbook, CenturySchoolbook-Bold, CenturySchoolbook-BoldItalic, CenturySchoolbook-Italic. Other fonts: Fences (Microsoft, 1992), OPAC92-Special (a phonetic font, The British Library, 1993), OPAC92-Cyrillic (The British Library, 1993), SvobodaFWF (a Latin/Cyrillic font by Casady&Greene, 1991). [Google] [More]  ⦿

CUHK
[Gladys Tang]

A free phonetic font at CUHK (Chinese University of Hong Kong) called Handkey2002. The web site belongs to Professor Gladys Tang. [Google] [More]  ⦿

D. Paul Alecsandri
[Every Witch Way]

[More]  ⦿

Dana Peretz

Designer in Haifa, Israel, who created an experimental font based on mouth movemens in 2013, called Phonetica.

Behance link. [Google] [More]  ⦿

Darren Rigby
[Darren Rigby]

Refreshing fonts created by Canadian Darren Rigby using High-Logic. The fonts come in truetype format (in 2000): Bayern (fraktur font), Beltane (2002), Brasspounder (2004), Con Jitters (2002, handwriting), Enigmatic, EnigmaticUnicodeRegular, Fitzgerald, GangueOuais (2002), HindsightUnicode (2001, with all European languages, Cyrillic, Armenian, and IPA), HindsightSmallCaps, HindsightRegular, HindsightMonospaceRegular, IntruderAlert, QuicktypeRegular, ThinDime, TorturerUpright, SilverDollar, DontWalkRun, History-Repeating (1999-2000), HistoryHappens, HistoryRepeatingH, HistoryHappens, HistoryRepeatingV, Lemon, Norse-Code (runes), OneEighty, TorturerBound, TorturerCrushed, Daybreaker, Yerevan, Seebreaze, Jareth, Tin Birdhouse, Tin Doghouse, Three-Sixty, Three-Sixty Condensed, Levity (2001, Western font), Gravity, River Avenue, Water Street, Warer Street Detour (unicase), Meridiana, Torquemada, Torquemada Starved, Torquemada Starved Unicode, Radian (2002), All Hooked Up (2002), Brasspounder (2004), Quilljoy (2004). [Google] [More]  ⦿

Darren Rigby
[Darren Rigby]

[More]  ⦿

David D

Download Monotype's Times New Roman Phonetics truetype font. [Google] [More]  ⦿

DejaVu Fonts
[Stepan Roh]

The DejaVu fonts form an open source font family based on the Bitstream Vera Fonts. Free download. Its purpose is to provide a wider range of characters (see Current status page for more information) while maintaining the original look and feel through the process of collaborative development. Included are DejaVuSans-Bold, DejaVuSans-BoldOblique, DejaVuSans-Oblique, DejaVuSans, DejaVuSansCondensed-Bold, DejaVuSansCondensed-BoldOblique, DejaVuSansCondensed-Oblique, DejaVuSansCondensed, DejaVuSansMono-Bold, DejaVuSansMono-BoldOb, DejaVuSansMono-Oblique, DejaVuSansMono-Roman, DejaVuSerif-Bold, DejaVuSerif-BoldOblique, DejaVuSerif-Oblique, DejaVuSerif-Roman, DejaVuSerifCondensed-Bold, DejaVuSerifCondensed-BoldOblique, DejaVuSerifCondensed-Oblique, DejaVuSerifCondensed.

Authors and contributors comprise Adrian Schroeter, Ben Laenen, Dafydd Harries, Danilo Segan (Cyrillic), David Jez, David Lawrence Ramsey, Denis Jacquerye, Dwayne Bailey, James Cloos, James Crippen, Keenan Pepper, Mashrab Kuvatov, Misu Moldovan (Romanian), Ognyan Kulev, Ondrej Koala Vacha, Peter Cernák, Sander Vesik, Stepán Roh (project manager; Polish), Tavmjong Bah, Valentin Stoykov, and Vasek Stodulka. The idea is to eventually cover most of unicode. Currently, this is covered: Latin (+supplement, extended A and part of extended B), IPA, Greek, Coptic, Cyrillic, Georgian, Armenian, Hebrew, N'ko, Tifinagh, Lao, Canadian aboriginal syllabics, Ogham, Arabic, math symbols, arrows, Braille, chess, and many dingbats.

Alternate download site. Wiki page with download information.

Fontspace link. Open Font Library link. [Google] [More]  ⦿

DEPOTzNET

Organized font archive. Many subcategories including Party fonts, Holiday fonts, Balloons, Halloween, Christmas, screen fonts, phonetic fonts, African, Balinese, Bengali, Burmese, Cambodian, Croata-glagolitic, Cyrillic, Ethiopic, Georgian, Greek, Hebrew, Hindi, Hmong, Japanese, Javanese, Khmer, Lao, Malayan, Nepali, Nko, runes, Tamil, Vietnamese. [Google] [More]  ⦿

Diogo Tomas

During his studies in Lisbon, Portugal, Diogo Tomas designed the experimental phonetic alphabet Less (2017). His geometric solid typeface Aedifico (2017) only uses rectangles and triangles. [Google] [More]  ⦿

Doulos SIL

Doulos SIL is derived from the earlier SIL Doulos font, released in 1992 by the Summer Institute of Linguistics. It is provided for free. The goal of Doulos was to provide a single Unicode-based font family that would contain a comprehensive inventory of glyphs needed for almost any Roman- or Cyrillic-based writing system, whether used for phonetic or orthographic needs. In addition, there is provision for other characters and symbols useful to linguists. Doulos SIL is very similar to Times/Times New Roman, but only has a single face: Regular. It was developed in 2006 by Walt Agee, Miriam Martin, Annie Olsen, Victor Gaultney, Lorna Priest, Alan Ward, Bob Hallissy, Martin Hosken, Sharon Correll, Jon Coblentz and Jonathan Kew. In 2020, the CTAN package was being maintained by Niranjan Vikas Tambe. Gitlab link. [Google] [More]  ⦿

Dr. Heather L. Ramsdell

Creator of IPA Base Symbols (2011, iFontMaker), a phonetic fat finger font. [Google] [More]  ⦿

Edward Detyna
[Electronic Font Foundry]

[More]  ⦿

Eesti Keele Instituut

Phonetic font archive in Estonia with the RusEE family [RusEEBold, RusEEBoldItalic, RusEEItalic, RusEE, RusEERItalic, RusEER] (Monotype, 1992, a Microsoft core font), Venelane (Cyrillic), VenelaneTrans (Latin), Fone (Corel), and the Phonetic Times family (Monotype, 1992) [PhoneticTimesC, PhoneticTimesCBold, PhoneticTimesCBoldItalic, PhoneticTimesCItalic, PhoneticTimesEMS, PhoneticTimesEMSBold, PhoneticTimesEMSBoldItalic, PhoneticTimesEMSItalic, PhoneticTimesIMSK, PhoneticTimesIMSKBold, PhoneticTimesIMSKItalic, PhoneticTimesIMSKBoldItalic, PhoneticTimesISBoldItalic, PhoneticTimesS, PhoneticTimesSBold, PhoneticTimesSBoldItalic, PhoneticTimesSItalic, PhoneticTimesSL, PhoneticTimesSLBold, PhoneticTimesSLBoldItalic, PhoneticTimesSLItalic, PhoneticTimesV, PhoneticTimesVBold, PhoneticTimesVBoldItalic, PhoneticTimesVItalic]. Site maintained by Indrik Hein. Some of the weights of Phonetic Times are by Esko Oja (Türnpu 11-3, Tallinn EE0001, Estonia) for the Institute of Estonian Language (Roosikrantsi 6, Tallinn). [Google] [More]  ⦿

EFI Home Page (Educational Fontware)

Sells handwriting-fonts designed to exactly replicate many educational handwriting styles. In particular, they have these:

  • D'Nealian: DN Cursive and DN Manuscript.
  • Zaner-Bloser: ZB Manuscript, ZB Cursive, OZ Manuscript, OZ Cursive.
  • A Beka: AB Cursive and AB Manuscript, based on the style shown in workbooks developed by A Beka Book, Inc.
  • Bob Jones University: CCU Cursive and CCU Manuscript, ugly fonts based on materials copyrighted by Bob Jones University.
  • DKL Cursive and DKR Cursive, patterned after the handwriting methods in the workbooks Cursive Writing Skills (Educators Publishing Service, Inc, 31 Smith Place, Cambridge, MA), by Diana Hanbury King.
  • Frank Schaffer: FS Classic, FS Contemporary, and FS Manuscript, developed using materials copyrighted by Frank Schaffer Publishing.
  • Getty-Dubay Italic: GDI Basic, GDI Combined, and GDI Cursive, a handwriting method developed by Barbara M. Getty and Inga S. Dubay at Portland State University, Continuing Education Press. EFI worked with Getty and Dubay to develop its GDI fonts.
  • Handwriting Without Tears: HWT Cursive and HWT Manuscript, pretty upright cursives and a hairline geometric sans. Handwriting Without Tears is a registered trademarked of Jan Z. Olsen.
  • Harcourt Brace: HB Cursive and HB Manuscript.
  • Loops and Groups: LG Cursive, based on the handwriting samples in the copyrighted Instructor's Manual Loops and Other Groups---A Kinesthetic Writing System by Mary Benbow.
  • McDougal, Littell: McD Cursive and McD Manuscript, based on materials copyrighted by McDougal, Littell&Company.
  • Palmer: Palmer Manuscript (simple hairline sans), Vintage Palmer and New Palmer, which include several variations of the cursive handwriting style that constitute the Palmer Method. Vintage Palmer is based on a 1923 workbook, and New Palmer on a 1987 workbook.
  • Pentime: PT Cursive and PT Manuscript, developed for use by the Amish communities, through workbooks rather than directly with computers. The fonts were created for JKL Services, who use the fonts to produce handwriting materials for the Amish community.
  • Peterson Directed Handwriting: PM Cursive, PM Block, and PM Slant.
  • Queensland: QM Cursive and QBA Manuscript, based on samples from workbooks by Horowitz Martin Education.
  • Russian: RU Cursive and Manuscript families (9 fonts) for Cyrillic.
  • Seattle School District: SSD Cursive and SSD Printscript, based on handwriting samples and methods developed by Patricia Heller and Elaine M. Aoki for the Seattle Public Schools. samples were found in a 1993 K-5 handwriting manual called Write It Right (Seattle Public Schools).
  • Steck Vaughn: SV Cursive and SV Manuscript, developed using materials copyrighted by Steck Vaughn Company.
  • Specialty Fonts: four Ball-and-stick and Dashes fonts, Braille 24 and Braille 24 Hollow, Clocks, EFI Count Dots on Numbers, EFI Direct Instruction, EFI Music Symbols, Emo-faces, Fingerletters (for American Sign Language), Lettersound Pictures, Morse Code, Phonetics Phont, POSTNET-16.
[Google] [More]  ⦿

Electronic Font Foundry
[Edward Detyna]

The Electronic Font Foundry (EFF) in Ascot, Berkshire, UK, sold most classical fonts at about 15 dollars per weight, and made custom fonts. Established in 1984, the foundry had 1300 fonts by 2012.

The font designer and owner was Edward Detyna, who died in March 2014. People are reporting to me that the fonts are in limbo, and that Detyna's family is not replying to requests for information.

On July 4, 2002, Apostrophe wrote this: I'm currently having a difficult time trying to predict the past of EFF LondonA, EFF Liz, EFF Eric and EFF Formal, to name a few. I have a feeling that these folks just happen to be twins with entities that are currently across the Atlantic from them, namely Adobe Garamond, Cooper Black, Gill Sans and Copperplate Gothic. A friend of Detyna's writes this: When I met him at least twenty years ago, Edward and his associates had a font design studio based in Ascot, near London. He is a mathematician/statistician turned typographer, and was really on top of type design at the time. There are academic articles published on mathematical subjects on the internet. He's an old man now, but still a very smart guy. When he started, with fonts for Acorn RISC-OS (now defunct, but leading-edge British computer of mid-eighties to -nineties), he had very advanced and sophisticated algorithms for anti-aliasing and hinting, and his hand-hinting is still better than almost any other fonts I have used for screen work. He still sells fonts and adapts to user requirements promptly. I recently asked him to adjust the hinting on a font and he turns it around in a day.

Jason Koxvold wrote to me in 2017: I knew Edward back in 1990 or so, when I was 13, and he mentored me to a great degree. For a while I worked an internship of sorts at EFF, and then one day, my mother came to see what I was up to---he gave her the job of office manager. He was a tremendously helpful and meaningful person to me then as a very young man with a passion for typography.

Closed captioning fonts for TV, made according to the EIA 708-B specifications, include EFF Sans Serif CC, EFF Serif CC, EFF Sans Serif Mono CC, EFF Serif Mono CC, EFF Casual CC, EFF Script CC, EFF Small Caps CC.

EFF also has fonts for Vietnamese, Greek, Hebrew, and Cyrillic.

EFF Primary is a large family of educational fonts.

EFF Utamaru is an oriental simulation font. [Google] [More]  ⦿

Elite Latina

Free fonts at this Guatemalan site include Ab'ajA (1995, Mayan dingbats), TunA (1995, same as previous one), WuujA (1995, more Mayan dingbats), Maya (1994, Mayan numerals), OKMAFonetica (1996, phonetic font). See also here. [Google] [More]  ⦿

Elliot Weinstein
[CHOMP font collection]

[More]  ⦿

Emma Pease
[Phonetic metafonts]

[More]  ⦿

Encyclopaedia Aethiopica
[Thomas Rave]

Run by Evgenia Sokolinskaia at the University of Hamburg, this page offers four phonetic truetype fonts of the EAE Garamond family made by Thomas Rave in 2000: EAE-GaramondBolditalic, EAE-GaramondBold, EAE-GaramondItalic, EAE-GaramondRegular. [Google] [More]  ⦿

Esko Oja

Tallinn-based Estonian designer of some weights of the Phonetic Times family for the Institute of Estonian Language (Roosikrantsi 6, Tallinn) in 1994. [Google] [More]  ⦿

Every Witch Way
[D. Paul Alecsandri]

D. Paul Alecsandri designed the runic fonts Futharc (2001), NewSymbolFont (2000) and Samaritan (2001). We also find the rather complete Unicode truetype font Roman-Unicode (2001), which cover all European, Arabic, Hebrew, Greek, Cyrillic, Thai and Indic languages, and provide kana as well (but not kanji). All parts of unicode covered. See also here.

Samaritan (2001) deals with a pre-Samaritan or pre-Babylonian Hebrew.

Originally designed for linguistics, the free typeface Chrysanthi Unicode (2001) contains all Unicode Latin characters (including Basic Latin, Latin 1 Supplement, Latin Extended A&B, IPA, and Latin Extended Additional) as well as Greek, Cyrillic, Hebrew, and everal others.

Fontspace link. [Google] [More]  ⦿

Ewellic

The Ewellic script (pronounced yoo-WELL-ik) was invented by Doug Ewell in 1980. It is a monocase, phonemic script, designed primarily to represent the general pronunciation of English without requiring the phonetic precision of systems such as the International Phonetic Alphabet (IPA). [Google] [More]  ⦿

Explogos
[Steve Gardner]

Suffolk, UK-based creator of many free typefaces. Designer of the free sans typefaces Smiley (2013, a hairline circle-based sans), Larke Sans (2013), Statement (2013), Formation Sans (2013) and Creativ Zoo (2013, +Serif), and the free serif typefaces Formation Serif (2013) and Edmundsbury Serif (2013), and its sans companion Edmundsbury (2013). As Cute As (2013) is a hand-drawn typeface.

Typefaces from 2014: Larke Neue (sans family), Explogos (a free organic sans typeface, and a 778-glyph commercial extension that covers, e.g., Greek and Cyrillic besides all Latin-based European languages), Squarea (squarish), Cirqua (circle-based sans), Chapaza (transitional text typeface, +Italic), Plateia (a sans typeface for Latin, Greek and Cyrillic), Coughy Machine, Kalypsa (free sans with 2300 glyphs and coverage of Basic Latin, Latin-1 Supplement, Latin Extended-A, Latin Extended-B, IPA Extensions, Spacing Modifying Letters, Combining Diacritical Marks, Greek & Coptic, Cyrillic, Cyrillic Supplement, Latin Extended Additional, Greek Extended, General Punctuation, Superscripts & Subscripts, Currency Symbols, Letterlike Symbols, Number Forms, Mathematical Operators, Coptic), As Cute as Comic, UFont Sans Medium, Bedric's Worth, Pragma Sans, Bold As Cute As, As Cute As Comic.

Typefaces from 2015: Tretton, Baqacents (sic), Reformation Sans.

Typefaces from 2016: Tretton Serif, Qaranta Bold.

Typefaces from 2018: Calamity Wayne (a reverse-contrast slab serif for Latin, Greek and Cyrillic, inspired by the wild west French Clarendons and Italians of the late-1800s)

Home page. Fontspace link. [Google] [MyFonts] [More]  ⦿

Fanetiks

A phonetic roman-character based proposal by L. Craig Schoonmaker (New York). [Google] [More]  ⦿

Fontboard (was Nyelvészeti Fontok)
[Gyula Zsigri]

Free truetype fonts for linguistics by Gyula Zsigri include Uralica, Saecula Hungarica, OctoCyrillic and ExtraLow. All are fonts with plenty of accents for Hungarian and Cyrillic. Linguistic fonts: direct link. Alternate URL. Check out Gyula Zsigri's cards font called "Cards" (1998). Hungarian mirror. Another Hungarian mirror. Uralica and OctoCyrillic are also here. [Google] [More]  ⦿

Fontmenu.com
[Michel Bujardet]

Michel Bujardet (a Frenchman living in West Hollywood, CA) runs Matchfonts, and started Fontmenu.com in August 2001. Commercial fonts, and free demos in all formats.

A partial list of fonts:

  • Square Text (old English).
  • Block Letters (orthography for kids), Skryptaag (2001, educational).
  • Boulons (letters made from nuts and bolts).
  • Kindergarten (funny typefaces), Learning Handwriting (K2), Learning Cursive Handwriting (Grade 2-4), Japanese Hiragana-Katakana (Year 1).
  • Morse code.
  • Dictionary phonetic notation for pronunciation.
  • The calligraphic fonts Chancellerie Moderne (1998, chancery hand), Oncial, Rodolphe, Willegha.
  • The dingbat fonts Dinosotype, Matched Potato, Nahkt hieroglyphs, SilBooettes, Angelots, Sceaux, Seraphiques, Talismans.
  • The monospaced fonts Bordofixed, Dactylographe (1997), Normafixed, Oloron fixed width screen font).
  • The mathy fonts Oloron program, Hexalist and Numberslist.
  • The handwriting fonts Charlotte, Louise, Mariette, Milko, Pierre, Quinze, Raoul, and Thibault.
  • The pixel font 8-PinMatrix.
  • The Bauhaus font BabyFace.
  • The Chinese simulation font Chinoiseries.
  • The LED fonts Diode, Cristolikid and Display.
  • The Greek simulation font Grecques.
  • The display fonts Zébrures (striped letters), Venitiennes, Ruban Dis-Moi, Parador, Osselets, Octogone, Metropolitain (art nouveau), Malabars, Halloween Match, Coulures, Chapou Relief, Candy Kane, Calebasse, Bujardet Freres and Big Bacon.
  • The MICR font MICR E13B.
  • The serif typefaces Baguad, Chap Clerk, Parlante, Presse, TSF&Co (art deco; +Heavy).
  • The sans serif typefaces Bordini, Boum-Boum, Halotique (a sans family), Junien, and Normographe.

Alternate URL for his shareware typefaces. MyFonts link for his commercial typefaces. Alternate MyFonts link. Fontspace link. Dafont link. [Google] [MyFonts] [More]  ⦿

FREELANG Fuentes

Spanish language site for various non-Latin language fonts. A sampling: Afus Deg Wfus 2 (for Berber), AlKatib1 (2001, an Arabic typeface by Naseem Amjad), Albanian, Alice_0 (Lao typeface by by Ngakham Southichack), LAOMAY_5 CHAREUNSILP (Lao typeface by by Soupasith Bouahom), Arial AMU (1999, Armenian typeface by Ruben Tarumian), BaltFrutigerLight, BaltHelveticaMedium, BaltNewCenturySchoolbookMedium, BaltOptimaMedium, BaltTiffanyMedium, BaltUniversityMedium, CarloAtor (1997, Arabic family by Timm Erickson, Summer Institute of Linguistics), Caligraf-W, Ciula (1996, a Romanian typeface by Paul Hodor), Cursiv (Romanian), AnlongvillKhek, GabrialAtor (another Arab family by Timm Erickson), Gin, Greek (1993, by Peter J. Gentry&Andrew M. Fountain), HandSign (1993, Sam Wang), HFMassisShantNUnicode (1990-1994, an Armenian unicode typeface by BYTEC Computers and Massis Graphics), HONGKAD (1994, a family by Dr. Hongkad Souvannavong), IsmarBold, IsmarLight, Lakshmi, X000000A (1994, a lao typeface by Sith Bouahom), LAOMAY_2-CHAREUNSILP, Alice3Medium, Alice0Medium, Langagedessignes (1998, by Philippe and François Blondel), NorKirk (1997, a great Armenian typeface by Ruben Tarumian), NovaTempo (for Esperanto), Pazmaveb (for Armenian), ILPRumanianB100 (1996, by Charles J. Coker), Saysettha-Lao, Saysettha-LaoBold, SenzorgaAnhok, Timok, Tribuno, Turn-W, TimesUnicode, ArialAMU, PoliceTypeAPI (for Armenian), Cieszyn-Regular, PoojaNormal, Shibolet (1995, Hebrew), Shree-Ass-0552 (2000, by Modular InfoTech), Tudor-Semi-Lite, Webdunia, TimesNRCzech, TNRLiboriusVII (2001, a fully accented Times typeface by Libor Sztemon), GreatMoravia (2001 Libor Sztemon, Czechia), Johaansi-ye-Peyravi (2001, a full accent blackletter typeface by Libor Sztemon, Czechia), TimesNREuskaraEuransiEsperanto (2001, Libor Sztemon). [Google] [More]  ⦿

Georg Duffner

Austrian designer who is trying hard to give the free software world an excellent qualitatively competitive free Garamond family. At Google Web Fonts, we find his EB Garamond family (2011), which covers Latin and Cyriilic. It is named after Egelnoff and Berner.

He explains: The source for the letterforms is a scan of a specimen known as the Berner specimen, which, composed in 1592 by Conrad Berner, son-in-law of Christian Egenolff and his successor at the Egenolff print office, shows Garamont's roman and Granjon's italic fonts at different sizes. Hence the name of this project: Egenolff-Berner Garamond. Also planned are polytonic Greek, IPA and ornaments.

In 2017, Octavio Pardo entered the EB Garamond project. The fonts can now be downloaded from Github. For Valentine's Day, a certain Bryn replaced the o and the tittles by hearts, and called the font Better EB Garamond (2017).

Designer of the free font OMW Ayembedt (2013): Ayembedt is a font aiming to recreate the symbolic typeface called Daedric, found in the Elder Scrolls video game series, most notably in The Elder Scrolls III: Morrowind.

Klingspor link. Open Font Library link. CTAN download of EB Garamond. Google Plus link. Duffner's Github link. [Google] [More]  ⦿

Gibran Ramos

Creator of Fonetica (2013) and Phonetic (2013). [Google] [More]  ⦿

Gladys Tang
[CUHK]

[More]  ⦿

GNU Freefont (or: Free UCS Outline Fonts)
[Steve White]

The GNU Freefont is continuously being updated to become a large useful Unicode monster. GNU FreeFont is a free family of scalable outline fonts, suitable for general use on computers and for desktop publishing. It is Unicode-encoded for compatability with all modern operating systems. There are serif, Sans and Mono subfamilies. Also called the "Free UCS Outline Fonts", this project is part of the larger Free Software Foundation. Scans: FreeMono, FreeMonoBold, FreeMonoBoldOblique, FreeMonoOblique, FreeSans, FreeSansBold, FreeSansBoldOblique, FreeSansOblique, FreeSerif, FreeSerifBold, FreeSerifBoldItalic, FreeSerifItalic. The original head honcho was Primoz Peterlin, the coordinator at the Institute of Biophysics of the University of Ljubljana, Slovenia. In 2008, Steve White took over. Participants and credits, as of the end of 2010, with Unicode range responsibilities:

  • URW++ Design&Development GmbH. URW++ donated a set of 35 core PostScript Type 1 fonts to the Ghostscript project.
    • Basic Latin (U+0041-U+007A)
    • Latin-1 Supplement (U+00C0-U+00FF)
    • Latin Extended-A (U+0100-U+017F)
    • Spacing Modifier Letters (U+02B0-U+02FF)
    • Mathematical Operators (U+2200-U+22FF)
    • Block Elements (U+2580-U+259F)
    • Dingbats (U+2700-U+27BF)
  • Yannis Haralambous and John Plaice. Yannis Haralambous and John Plaice are the authors of Omega typesetting system, which is an extension of TeX. Its first release, aims primarily at improving TeX's multilingual abilities. In Omega all characters and pointers into data-structures are 16-bit wide, instead of 8-bit, thereby eliminating many of the trivial limitations of TeX. Omega also allows multiple input and output character sets, and uses programmable filters to translate from one encoding to another, to perform contextual analysis, etc. Internally, Omega uses the universal 16-bit Unicode standard character set, based on ISO-10646. These improvements not only make it a lot easier for TeX users to cope with multiple or complex languages, like Arabic, Indic, Khmer, Chinese, Japanese or Korean, in one document, but will also form the basis for future developments in other areas, such as native color support and hypertext features. ... Fonts for UT1 (omlgc family) and UT2 (omah family) are under development: these fonts are in PostScript format and visually close to Times and Helvetica font families.
    • Latin Extended-B (U+0180-U+024F)
    • IPA Extensions (U+0250-U+02AF)
    • Greek (U+0370-U+03FF)
    • Armenian (U+0530-U+058F)
    • Hebrew (U+0590-U+05FF)
    • Arabic (U+0600-U+06FF)
    • Currency Symbols (U+20A0-U+20CF)
    • Arabic Presentation Forms-A (U+FB50-U+FDFF)
    • Arabic Presentation Forms-B (U+FE70-U+FEFF)
  • Yannis Haralambous and Wellcome Institute. In 1994, The Wellcome Library The Wellcome Institute for the History of Medicine 183 Euston Road, London NW1 2BE, England, commissioned Mr. Haralambous to produce a Sinhalese font for them. We have received 03/09 official notice from Robert Kiley, Head of e-Strategy for the Wellcome Library, that Yannis' font could be included in GNU FreeFont under its GNU license: Sinhala (U+0D80-U+0DFF).
  • Young U. Ryu at the University of Texas at Dallas is the author of Txfonts, a set of mathematical symbols designed to accompany text typeset in Times or its variants. In the documentation, Young adresses the design of mathematical symbols: "The Adobe Times fonts are thicker than the CM fonts. Designing math fonts for Times based on the rule thickness of Times =,, +, /, <, etc. would result in too thick math symbols, in my opinion. In the TX fonts, these glyphs are thinner than those of original Times fonts. That is, the rule thickness of these glyphs is around 85% of that of the Times fonts, but still thicker than that of the CM fonts." Ranges: Arrows (U+2190-U+21FF), Mathematical Symbols (U+2200-U+22FF).
  • Valek Filippov added Cyrillic glyphs and composite Latin Extended A to the whole set of the abovementioned URW set of 35 PostScript core fonts, Ranges: Latin Extended-A (U+0100-U+017F), Cyrillic (U+0400-U+04FF).
  • Wadalab Kanji Comittee. Between April 1990 and March 1992, Wadalab Kanji Comittee put together a series of scalable font files with Japanese scripts, in four forms: Sai Micho, Chu Mincho, Cho Kaku and Saimaru. The font files were written in custom file format, while tools for conversion into Metafont and PostScript Type 1 were also supplied. The Wadalab Kanji Comittee has later been dismissed, and the resulting files can be now found on the FTP server of the Depertment of Mathematical Engineering and Information Physics, Faculty of Engineering, University of Tokyo: Hiragana (U+3040-U+309F), Katakana (U+30A0-U+30FF). Note that some time around 2009, the hiragana and katakana ranges were deleted.
  • Angelo Haritsis has compiled a set of Greek type 1 fonts. The glyphs from this source has been used to compose Greek glyphs in FreeSans and FreeMono. Greek (U+0370-U+03FF).
  • Yannis Haralambous and Virach Sornlertlamvanich. In 1999, Yannis Haralambous and Virach Sornlertlamvanich made a set of glyphs covering the Thai national standard Nf3, in both upright and slanted shape. Range: Thai (U+0E00-U+0E7F).
  • Shaheed Haque has developed a basic set of basic Bengali glyphs (without ligatures), using ISO10646 encoding. Range: Bengali (U+0980-U+09FF).
  • Sam Stepanyan created a set of Armenian sans serif glyphs visually compatible with Helvetica or Arial. Range: Armenian (U+0530-U+058F).
  • Mohamed Ishan has started a Thaana Unicode Project. Range: Thaana (U+0780-U+07BF).
  • Sushant Kumar Dash has created a font in his mother tongue, Oriya: Oriya (U+0B00-U+0B7F). But Freefont has dropped Oriya because of the absence of font features neccessary for display of text in Oriya.
  • Harsh Kumar has started BharatBhasha for these ranges:
    • Devanagari (U+0900-U+097F)
    • Bengali (U+0980-U+09FF)
    • Gurmukhi (U+0A00-U+0A7F)
    • Gujarati (U+0A80-U+0AFF)
  • Prasad A. Chodavarapu created Tikkana, a Telugu font family: Telugu (U+0C00-U+0C7F). It was originally included in GNU Freefont, but supoort for Telugu was later dropped altogether from the GNU Freefont project.
  • Frans Velthuis and Anshuman Pandey. In 1991, Frans Velthuis from the Groningen University, The Netherlands, released a Devanagari font as Metafont source, available under the terms of GNU GPL. Later, Anshuman Pandey from Washington University in Seattle, took over the maintenance of font. Fonts can be found on CTAN. This font was converted the font to Type 1 format using Peter Szabo's TeXtrace and removed some redundant control points with PfaEdit. Range: Devanagari (U+0900-U+097F).
  • Hardip Singh Pannu. In 1991, Hardip Singh Pannu has created a free Gurmukhi TrueType font, available as regular, bold, oblique and bold oblique form. Range: Gurmukhi (U+0A00-U+0A7F).
  • Jeroen Hellingman (The Netherlands) created a set of Malayalam metafonts in 1994, and a set of Oriya metafonts in 1996. Malayalam fonts were created as uniform stroke only, while Oriya metafonts exist in both uniform and modulated stroke. From private communication: "It is my intention to release the fonts under GPL, but not all copies around have this notice on them." Metafonts can be found here and here. Ranges: Oriya (U+0B00-U+0B7F), Malayalam (U+0D00-U+0D7F). Oriya was subsequently dropped from the Freefont project.
  • Thomas Ridgeway, then at the Humanities And Arts Computing Center, Washington University, Seattle, USA, (now defunct), created a Tamil metafont in 1990. Anshuman Pandey from the same university took over the maintenance of font. Fonts can be found at

Fontspace link. Download link. [Google] [More]  ⦿

gnu.org

Chinese truetype fonts. And 20 MB worth of international bitmap fonts. The fonts at the latter link contain PCF and BDF sources, and some truetype and type 1 fonts. Among the bitmap (BDF) fonts: ISO8859 series 1 through 9 (Latin, Greek, Cyrillic), KOI8 (Cyrillic), Indic, Lao, Tibetan, Thai, Vietnamese, Chinese, Japanese, Korean, Ethiopic, Arabic, IPA, Hebrew. Truetype: Latin-X fonts, Vietnamese (VISCII roman). Type 1: Latin-X fonts, Vietnamese (VISCII roman), Thai (TIS620), Thai National Font. The readme goes: "We greatly appreciate the contribution of Yannis Haralambous and Tereza Tranaka. They made free TrueType and Type1 fonts for Latin-X series, Thai, and Vietnamese. They will eventually make fonts for more character sets." The fonts are called OmegaSerif, and were made in 1999. Also included is the Thai National font Nf3, made by Yannis Haralambous and Virach Sornlertlamvanich in 1999. [Google] [More]  ⦿

Gyula Zsigri
[Fontboard (was Nyelvészeti Fontok)]

[More]  ⦿

Harukos

SILDoulosIPA and SymbolMT. [Google] [More]  ⦿

Heinrich Heine Universität Düsseldorf

Источник: [https://torrent-igruha.org/3551-portal.html]
font phonetic alphabet free download

Font phonetic alphabet free download

0 thoughts to “Font phonetic alphabet free download”

Leave a Reply

Your email address will not be published. Required fields are marked *